Like most other HDR editing programs, Aurora HDR 2019 comes with a number of presets that they’ve now renamed as “looks”. You don’t need to yank the wheel – just a slight nudge is often all an image needs, at least when doing realistic photography.Īurora HDR 2019 Review | Presets and LUTs All of these, used judiciously, can really enhance an image.Īnd remember the race car analogy I used above? The AI filters (Smart Tone, HDR Clarity, and Smart Structure) are particularly powerful, with only the slightest of adjustments making powerful changes. Other more proprietary filters that make a huge difference in my images’ final look include the color contrast slider, the HDR Enhance panel, and the Image Radiance filter. This feature is especially useful when editing photos of sunsets.
There’s no need to create another layer and a layer mask. Being able to quickly and easily change the sky without affecting the foreground (and vice versa) saves me loads of time. In landscapes, the sky is often much brighter than the foreground – even when using HDR. (Luminar has this as well.) It allows you to adjust the top of the image separately from the bottom. Of the more unique filters, one of the more useful ones for me in my landscape work is the Adjustable Gradient. It allows you to set the orientation and then adjust the top of the image separately from the bottom. The adjustable gradient filter in Aurora HDR is especially useful for working on landscapes. Since I’m looking for a natural-looking image, I rarely need to make any adjustments far beyond 10-20, especially when working with filters like HDR Clarity, Smart Structure, and so on.įor me they’re like salt: little really improves the image too much and it can become, well, inedible. On this most recent version of Aurora HDR 2019, the sliders are incredibly sensitive. Social sharing (FB, 500px, Twitter, etc).High-quality presets for all HDR styles.While this isn’t necessarily unique, it’s definitely one of the things I use the most. I can easily see what the changes will do to the image without having to turn off an entire layer. The last thing that I just absolutely love about both Aurora and Luminar, is that each filter has a simple, obvious on/off toggle button. (Honestly, I haven’t found any filter that really comes close to what the Tonal Contrast in Nik’s Color Efex can do. So if you already have an established workflow with say, Nik and Topaz filters, you can use them directly through Aurora. You can even use other Photoshop plugins with Aurora. Everything is laid out in front of you and it only takes a little experimentation to figure out your work flow. Whether you’re someone who’s never shot in HDR or you’ve been doing it for years, the UI is sleek and easy. One aspect that Aurora HDR 2019 has that both Photoshop and Lightroom don’t have, is intuitive ease of use. tiff, but then you get the image only – no editing history. You can go back any time and tweak things. The program saves to its own file format where it preserves all of your editing history and adjustments. Like some aspects of Lightroom, all of the changes you make to an image in Aurora are non-destructive. If you’re a beginner, this probably won’t make much difference to you, but if you’re used to having serious control over exactly how you adjust your images, this will be a serious plus. Unlike Lightroom, Aurora HDR also allows you to work with layers, masks and blending modes à la Photoshop. There’s even a histogram at the top (which I find very useful). The adjustment panels run down the left-hand side and many of the initial sliders are exactly as you’d see them in Lightroom. The first thing that both novices and experienced photo editors who work in Lightroom will notice is that the interface seems quite similar to Lightroom, though much sleeker. The UI is sleek and intuitive and the controls handle a bit like a race car – just the slightest adjustment creates substantial results.
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On top of that, Aurora is also far more powerful and pleasant to use than any other HDR software I’ve ever worked with. Not once have I ended up with halos or fringing. In addition, the ghost reduction is impressive and the color denoise and chromatic aberration reduction really works. There’s far less noise in the final image and considerably better tonal blending. (It was certainly better than anything I’ve ever done in Photomatrix Pro). I’ve run a number of my old sets of bracketed exposures through it, and the opening image is often (though not always) far superior than what I was working with in the 2018 version or in Nik’s HDR Pro. Aurora HDR 2019 uses AI in their new Quantum HDR engine, and the results are excellent.
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The superb ghost reduction in Aurora HDR 2019 made the edge of this wave look realistic | 1/6 f/8 ISO 100 | Sony a7III + Sony FE 16-35mm f/4 ZAĪll HDR programs have their unique way of merging photos.
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